I grew up in the suburbs and I enjoy drive in the country, but I was born in the city. I only lived in Detroit for 4 years but we visited my grandmother there for years.
And I went to art school downtown right behind the Art Institute.
Maybe I’ve read too many novels or seen too many movies. When I’m in a large downtown I get a feeling of mystery. I want to know everyone’s story. Especially on a gloomy day the intrigue seems intensified. A perfect time for a painting of an urban landscape.
My birdfeeders in my city neighborhood attract a lot of brown Sparrows with a few Blue Jays, Cardinals, Woodpeckers, and when I’m lucky, the brilliant yellow Goldfinch.
My photographer friend, Deb Drew Brown has a backyard that is much more woodsy that attracts a larger variety of birds. She has given me permission to paint from some of her photos including this Baltimore Oriole snacking on an orange on the railing of her deck. This is a brilliant delight against the neutral background of the Michigan winters.
I took photography in college so I know how to compose in the camera, which is an advantage when gathering photo references for my painting. I also am skilled on the computer so I can crop and make adjustments when necessary to enhance the photos.
Guest photos can also be delightful.
My cousin took a photo of 3 baby birds demanding to be fed and posted it on Facebook. I immediately asked her for permission to use it for a painting. I think I smiled the entire time I was painting.
Originally posted on Art of Quotation: ? “Studio Ghosts: When you’re in the studio painting, there are a lot of people in there with you – your teachers, friends, painters from history, critics… and one by one if you’re really painting, they walk out. And if you’re really painting YOU walk out.” Philip Guston, painter